妈祖 Flotsam

Nikola Ma

Blood red paper pockets

fleshy fluorescent notes within,

the smell of money. Taste– 

sharp sacrificial copper.

Mao Zedong stares

a dozen faces frowning

I mirror him and reap her bounty.

 

Dark bobbing head

miniscule, midst vivid

oily cobalt sap, I hasten.

Anxiety on tongue, turpentine toast.

She is floating further.

Lonely jetsam. God punches

the surface, a toddler in tantrum.

I slip off my shoes and hesitation

wriggles into sodden earth,

these desperate rootless, fruitless

weedy toes. I watch

an elderly couple take turns

twin eggs boiling in a waterless

pot. Hopping up and down

they gesture towards her

– cracking– as I dive in.

 

Such torment to keep

taut legs and bubbling lungs

to surface, pushed by thoughts

of snapping jaws and tendrils

whose master would roar in waves

to deafen me before they

pull a helpless mute

down, down

into the frigid blue.

 

We meet. Her almond gaze is

tenantless –swallowed irises– I

touch her. She huffs, twitches,

remnant nerves of muscle, fat.

The ocean sways our bodies; souls.

My eyes squeeze closed, and it’s brief,

but far away on Neptune

I become fish in an alien sea.

Wrinkled half-life, halfway done.

Middle-aged. Asian.

She clutches her purse.

I entwine myself to pull

and beg hungry currents;

Osmosis of Spirit, no, spit us up

yellow. Retch the wretched sour.

We take nothing from the deep.

 

Jellyfish swarm our legs

gelatinous, globulous lanterns,

ghosts. I drag this cargo, frantic.

She is stiff and I think to a doll

I had, whose drenched

and sticky tangles lick,

forgotten in a childhood bath.

 

I haul her body and heave

on searing ground. Near drowned

she gasps; or quietly suffocates

and smells of lemon, salt, and butter.

Hero’s lunch. They. Husband, wife.

Fresh from the mainland

the doll dries. Morphs to frizz, lines,

a Gucci tracksuit.

Broken she awash on glassy sands 

whose porcelain, salted shell hands

like tissue paper faintly

brush mine in thanks.

 

Attempted suicide, unspeakable taboo

she cowers in her glass box

his hand

claws her shoulder, the other

presses a crimson

paper pocket

to my palm – it burns,

his golden watch brushes

my wrist – it burns.

 

My parents enlivened by my efforts

Chinese father proud, but never proud.

Beaming, a lighthouse mouth agape

shovelling food between breaths

obese engine of heavy sweat.

My western mother silver headed nods

daft deaf to the tonalities of mandarin.

Shots of rice wine; the men talk

as pillars of steamer baskets

teeter around us all

empty black, mammalian eyes echo

scattered amongst this circle we make.

 

A sashimi lobster lies sedated

it spins onstage, raw carcass

and incarnadine head bobbing

body ripped to naked shreds

such geometric, artful slices.

Cardinal pleasure.

Upon dead head, bacteria writhe on paltry

inky spheres who twitch.

Flickering witness.

She spends her time looking into them.

Recognition sparks as I chew

a square of epithet flesh.


 

马美丽 Mǎ Měilì/

Nikola Ma is not a writer, but a witness. She collects the Beautiful. Tragic. Silent. Amusing. The swings in between. She is a reflecting pool for readers to peer into. You don’t need to know Nikola beyond her love for poetry. Mirror, mirror.

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The Guppy And The Light

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The First Dragon